Upcoming show “Rose is a Rose is a Rose”, London

 
I’m delighted to be part of ‘Rose is a Rose is a Rose’, an upcoming group exhibition opening on Saturday 7th June, from 6pm until late, at Finch Gallery, 12 Sidworth Street, London E8.
It promises to be a vibrant evening packed with performances, good company, and even the launch of a specially created scent to mark the occasion! The show brings together a wonderfully diverse mix of artists, with work spread across both of Finch’s exhibition spaces. Postcard-sized artworks will be on display in They Come They Sit They Go, while larger works will be shown on the Finch Gallery White-wall. It’s a great chance to see a broad range of work in one evening, so if you’re in London do drop in and have a look. It will be on until 28th June.
The closest station is London Fields Overground, or it is around a 15–20 minute walk from Bethnal Green tube.

A Weekend of Art at Wellington Yard, Liverpool

I’m really pleased to share that I’ll be showing two pieces of work as part of Socially Distanced, a group exhibition of sculptural approaches produced by Luke Skiffington of Waterloo based gallery 50MV.

This weekend-long event features a total of three exciting exhibitions under one roof, bringing together artists from across the UK in a dynamic celebration of contemporary art. As well as Socially Distanced, you can visit:

  • The Joy of Painting – curated by Gareth Kemp, featuring a joyful and diverse selection of painters from around the UK.
  • Sell Out – curated by Josie Jenkins, offering over 20 Liverpool artists’ works at affordable prices. A great chance to support local talent and maybe take a piece home.

The opening night social is due to take place on Friday 21st March, 5pm–8:30pm. Do come along to say hello and view the art on display. Hope to see you there!

Venue:
3 Wellington Yard, Wavertree, Liverpool (next to the Little Owl Café)
Open: Saturday 12–6pm, Sunday 12–5pm

 

Preview of Why I Draw, Bolton

 

I had a fantastic time this afternoon at the opening of “Why I Draw” at Hive Gallery in Bolton. A huge thank you to curator Andy Smith for his incredible technical expertise and for inviting me to be part of such a wonderful, diverse group of artists. Thank you also to Hive Gallery for being exceptional hosts—your space is both stunning and welcoming—and to Alison Timmins for her invaluable assistance and last-minute tweaks that brought my projection piece to life. You’re all amazing!

If you’re in Bolton on a Friday or Saturday between now and 1st March, I highly recommend stopping by. The gallery is open from 1–5pm, and it’s well worth a visit!

Photos 2 and 5 appear courtesy of Jeffrey Knopf.

Why I Draw – Twelve Artists Explain

Opening on Saturday, 18th January 2025, at Hive Gallery in Bolton, this group exhibition highlights artists who incorporate drawing as a vital element in their creative practice. Each participant was invited to submit 1–3 pieces for curation, along with a written explanation of how this ancient and fundamental medium enhances—or is essential to—their work.

I’m thrilled to have my work featured alongside pieces by Alan Baker, James David Gibson, Bethan Hamilton, Maggie Hargreaves, Vicki Jones, Robert McLeod, Paddy O’Donnell, Radhika Parekh, Sam, Esther Womack, and Matthew Wood. The exhibition will be open on Fridays and Saturdays from 1–5pm until 1st March 2025—don’t miss it!

Falling Faintly, Faintly Falling Opening Soon

A collection of artists postcards and selected larger works inspired by James Joyce’s short story “The Dead” will be on display from Friday 10th January until 1st February. Hosted by “They Come, They Sit, They Go” and Finch Café; the exhibition is co-curated by Caroline McCambridge and Belinda Worsley.

Join them for a magical soirée of performance, poetry, and perfume, featuring Katie Houston, Bernard Walsh, Lucy Dixon, Clare Jarrett, and Rosa Mat. Here, you will also be able to experience “Narnia”, a bespoke scent created especially for the show by Steven Calver.

The opening event takes place on Friday, 10th January, at Finch Cafe, 12 Sidworth Street, London E8 3SD, from 6–9pm. All are welcome!

Sadly, I won’t be able to attend due to work commitments but will be there in spirit.

Preview night: Paper Cuts at 50MV

What a fantastic evening in Crosby! A huge thank you to Luke Skiffington for being an incredible host, and to everyone who came out to support the Paper Cuts 2 show.

If you couldn’t make it, there’s still time to catch the exhibition. It’s open by appointment from December 1st to December 3rd. All artwork is available for purchase through the gallery and online.

Suite Open Studios… Coming Soon!

Suite warmly invites you to join us on the 6th and 7th of December, where mulled wine and nibbles will help keep the winter chill at bay. While I’ll only be there on Friday, the event is perfectly timed to coincide with the open studios at Hotbed Press, offering plenty to explore across multiple floors. It’s the perfect opportunity to drop by, have a chat, and soak up the creative atmosphere. We’d love to see you there!

I’ll also have a selection of works from my back catalogue available for purchase. Whether you’re treating yourself to a new piece of art or searching for the perfect gift, I’d be delighted to assist. Framing and delivery can be arranged upon request, making it even easier to bring a special piece into your home or share it with someone you care about.

Opening times: 6th December 5-9pm and 7th December 11-5pm

Upcoming show Paper Cuts 2 at 50 MV, Liverpool

The countdown to Paper Cuts 2 is officially underway! Join us for the opening event on Saturday, 30th November, from 5-7pm, where we’ll gather for drinks in a warm, welcoming atmosphere. The exhibition will then run by appointment from 1st to 3rd December.

Nestled in a Mersey View unit, just a short walk from the iconic Anthony Gormley installation on Crosby Beach, this intimate space will showcase an exciting and diverse collection of artists including: Ally Wallace, Beth Jones, Credo, Daniel Halsall, Elizabeth Challinor, Ellie Towers, Fiona Stirling, Frances Disley, Frea Buckler, Graham Lister, Hayley Harman, James Bacchi-Andreoli, Jennifer Douglas, Landlines Studio, Luke Skiffington, Marc Renshaw, Mark Brogan and Ruby Tingle.

We’d be delighted to see you there! For those traveling from outside Liverpool, the gallery’s postcode is LL22 6QB. Don’t miss this wonderful celebration of paper based creativity!

The Rose Project at Paradise Works

 

I had the pleasure of stopping by Paradise Works briefly this evening to experience Belinda Worsley’s installation, Rose is a Rose is a Rose, beautifully displayed in Jeffrey Knopf’s studio.

It was a joy to reconnect with familiar faces and meet so many new ones there. A heartfelt thank you to everyone who came for the engaging conversations, to Belinda for inviting me to be part of this inspiring project, and to Jeffrey for graciously hosting. I’m excited to see where the postcards travel to next!

Rose is a Rose is a Rose, Manchester at Paradise Works

 

Mark your calendars for Saturday, 16th November, when “Rose is a Rose is a Rose” opens its doors for a special one-day event, coinciding with the Manchester Contemporary and Paradise Works’ Open Studios in Salford.

From 3 PM to 9 PM, Belinda Worsley will showcase her captivating postcard project, accompanied by works from Steven Calver, Angela Tait, and Jeffrey Knopf in his studio space.

The works in the Rose Project draw inspiration from Gertrude Stein’s famous line, “A rose is a rose is a rose,” a simplified form of the phrase from her 1913 poem Sacred Emily. Often interpreted as a reflection of the law of identity (“A is A”), the quote suggests that things are simply what they are. Stein believed that naming something evokes the emotions and imagery associated with it, an idea central to broader philosophical debates on universals—where thinkers like Peter Abelard used the rose to explore how language conveys meaning.

With my own work focused on the challenges of communication and the complexities of language, I created a couple of postcards reflecting these themes in connection to Stein’s quote. Be sure to look out for my text-based contributions amid the beautiful array of roses on display!